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The Strand – Part III

What makes the Strand, ‘The Strand’ are the people and the communities it supports. There is so much activity going on. Hundreds of volleyball nets span the beaches from Hermosa to Manhattan. Local surfers congregate near each of the piers. Stand up paddle boarders make their way up and down miles of coastline. The beach cruiser is the primary mode of transportation, roller skates come in a close second. At night, bars come to life with the sound of local music. There is no need to travel far! Just walk, rent a bike, or roller skate your way from activity to activity. The perfect day is waking up at dawn to shoot the sunrise. Then spend the afternoon surfing, paddle boarding, riding, or walking. After an afternoon nap, photograph the sunset, grab a bite, and then catch some live music! Tomorrow we will go on an epic cruiser bike ride from Hermosa Beach to the canals of Venice.

Weekend Photo Vacation Logistics: All the images you have seen thus far in this series, including today’s, were taken within walking distance of the Beach House Hotel at Hermosa Beach. I really had no idea where to stay, but it was the only place on the beach that was centrally located. It turned out to be the perfect base camp for a photo weekend in a southern California beach community. There was never a need for a rental car.

People of the Strand

People of the Strand

Hermosa Beach Surfing

Jett Pink

The Strand – Part II

Manhattan Beach Pier

Yesterday I wrote a bit about how the piers shape each of the costal beach communities of Southern California. Like I said, each one is different and worth exploring. Today’s image is almost a tale of two piers. Not because of the pier itself, although the Manhattan pier (pictured here) is much different than the Hermosa Pier (yesterday’s image), but because of the conditions I photographed them in. On this day, a winter swell had rolled in form the north and the seas were angry. This was also the day I decided to go out and paddle board. I was planning on photographing the Manhattan pier from underneath. I had visions of a long classic and powerful exposure. However, because of the wether that day, I felt that incorporating the sea told a more complete story. To achieve the vision I had in my head I shot with a very long focal length (400mm in this case) and timed the waves at their height. I wanted the face of the wave to be visible and still balance well with the pier in the distance. Let’s just say I shot a lot of images until I got this one. For me, this was a photographic blessing from nature. I could stand and stare at waves all day. Tomorrow we will continue our story of ‘The Strand’ by taking a look at the people and activity that makes this place what it is!

Continue for Capture/Processing Notes…

Count Down To The Tour

2003 US Pro Championships

Lance Armstrong showed some impressive form this weekend by placing 2nd in the Tour of Switzerland. Because the Tour is less than a month away, and I have thousands of bike racing photos in my archive, I decided I would start posting them to celebrate the world’s greatest bike race.

This image is from the 2003 US Pro Championships in Philadelphia, PA. I wanted to get a large group shot. As a bike racer, I knew the peloton would break up in just a few laps, so I identified a location that would work early in the race. I set up on a median in the middle of the course, and shot with a long lens to exaggerate the close proximity of the riders. I got lucky when Victor Rapinski decided to stand up to stretch his legs.

Capture Notes:

Nikon D1x
Nikkor 300 AFS F4
Bogen Monopod

Exposure:0.001 sec (1/1000)
Aperture:f/4.0
Focal Length:300 mm
Exposure Bias:0 EV

Processing Notes:

Photoshop – Curves adjustment
Photoshop – Slight vibrancy boost
Sized for web
LightAsMagic.com

Tip: Cycling photography is a very unique and demanding enterprise. Ensure that you are familiar with the course. If you can, make sure to drive or walk it and plan your shot locations. The race will be fast and furious and you won’t have time to improvise.