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Anatomy of a Photo-Walk: Part V

Dam

I hope everyone had a great weekend. This week I will be continuing my ‘Anatomy of Photo-Walk’ series from last week. After I made the previous two images in Civic Center Park, I headed across the street to the Denver Art Museum. I had been wanting to make images here for quite a while. The structure itself is fascinating. You could park a wide angle lens across the street, release the shutter, and have a pretty interesting image. However, I wanted a bit more of a challenge. I walked around the building for 10 minutes or so as I brought the viewfinder to my eye. Nothing really moved me. I actually gave up and decided to abandon the location. As I walked away, I looked up and saw this aerate jettisoning itself into the sky. I knew I had found my image . Dang it! If I had only brought a neutral density filter with me so I could catch some cloud motion. I didn’t so I was stuck with static clouds. As it stands right now, I have an ethical dilemma using Photoshop to manipulate compositional elements. It is easy to do, but I just can’t bring myself to do it. Maybe after I forget my ND filter a couple more times I will break down and add some motion blur. Until then, assume my cloud motion is achieved by letting the clouds to their own thing. I will let you know when I change my mind.

Photography Note: For those out there wondering what a Neutral Density filter is, it is basically sunglasses for your camera. It is a very dark piece of glass that you put in front of your lens. Why would you want to do that? By letting less light through the lens, you have to leave your shutter open longer. With really dark neutral density filters, you can take exposures that are 1-2 minutes in length. When you take images that are that long, moving clouds and water becomes a dreamy blur. Here is a link to the best neutral density filter on the market, Singh-Ray Vari ND.

Continue for Capture/Processing Notes…

Life Pod



Another addition to my Spaceship Suburbia project. After reading Christian Cantrell’s Containment (a great sci-fi read I might add), I started looking around for an image that resembled a polymeth structure from a remote planetary colony. I found it; a fragile atmosphere contained within the conventions of humanity.

Continue for Capture/Processing Notes…

Early Bird Gets Lando Calrissian

Spaceship Suburbia

Another addition to my on going Spaceship Suburbia project. I thought I would try and capture a “Cloud City Scape” by shooting a busy scene full of the non-traditional. This was a sunrise shoot on the outskirts of Denver. When I pulled the camera to my eye, I was sucked into the depth and variety of the shapes and shadows. I thought it would make a good addition to the project.

Answering The Call! A big Thank You is in order to all those that took the time to help me with my dilemma. I am truly thankful for the amount of time those that answered my Canon/Nikon SOS put into their responses. I am also humbled by the quality of photographers that visit LightAsMagic.com. I made my way to all your websites and photostreams, and I am inspired by your work. It is obvious by your responses that Canon is indeed a great company. But there is also something said about familiarity. There is a lot to digest, and I will take some time tomorrow to revisit all the comments and post a reply to everyone. Thanks again! Heck, even my wife and mother-in-law chimed in. If you go back and read the comments I am sure you will find the wonderful humorous perspective my wife added to the discussion. Let it be know my mother-in-law voted in favor of Nikon. Her vote counts double. I will keep you posted on my final decision and the reasoning behind it.

Capture Notes:

Nikon D300
Nikkor 80-200 AFD
Gitzo Traveler

Processing Notes:

Capture 1 Image
Adobe camera raw
Photoshop Contrast/Sat boost
Sized for web
LightAsMagic.com

Tip: When I am trying to create a silhouette in an image, I will switch my camera’s meter to spot meter mode and meter an area that is pretty bright, but not the source of the light. In this scene this happened to be the area of the sky close to the horizon. After I have meter that area I will the lock the exposure, or make a note of it and reset it when I recompose. At that point, I will be shoot a couple of frames and review the images. You can rides you exposure compensation to quickly choke or expand the shadow areas.

Spaceship Suburbia

Spaceship Suburbia

Lately I have been beating up my ‘photographic self’. I am bit frustrated creatively. Sure, I discover images while I am traveling, I throw myself into unknown situations to see what my creative self can do, and I consistently try to improve myself as a photographer. However, I haven’t had a project to focus on. I’m not pre-visioning my images. I’m not actively creating images in my mind, prior to discovering them. In the face of this lull, I decided to assign myself a project. If I wasn’t going to do it, no one else was. What did I come up with? I call it Spaceship Suburbia. The goal, to morph the everyday into images from the Cloud City. I’m not expecting a Pulitzer, or a show at the Guggenheim. I’m just hoping to have a bit of fun and force myself to translate what is in my head to a .TIFF. Wish me luck!

Here is my first image from the new project. To capture it, I deployed my stability system, mounted an 80-200mm light refractorer (made up space word), and set my white balance to stun (err…incandescent).

News: Remember the Heart and Lung benefit show this Friday night. Feel free to drop me an email if you have any questions. It is for a great cause!

Capture Notes:

Nikon D300
Nikkor 80-200 AFD
Gitzo Traveler

Processing Notes:

In an effort to expose myself to new techniques, I decided to give a fellow Flickrer’s tutorial a try. It worked out pretty good.

You can find it here.

Thanks! jfdpl686