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Flip Flops Prohibited

Red Rocks Amphitheater is just down the hill from my house, so I visit it quite a bit. It’s my personal Landscape photography training ground. Today the light was barely gracing the tops of the rocks and I wanted to try a couple new techniques in post. I decided to find a reasonably interesting foreground object and go for it.

A couple readers have asked for a quick “101″ lesson regarding HDR images and the tools used to create them. I am still working on more substantial content, but until it is finished, I will outline a basic example here.

Here are three images from the seven bracketed images I captured (+3,+2,+1,0,-1,-2,-3) to create the above photo. Obviously one is exposed for the rock and sky, the other is exposed for the cactus, the middle one is what the camera meter decided was a good average of the light in the scene. However, no one image has an exposure that is adequate for both foreground and background. That is where Photomatix Exposure Fusion comes in. You might be able to achieve a balanced exposure outside of software, but it would require either filters or flash, maybe both. But if you are traveling light, then this might be the way to go for you? You can read more about Photomatix here:
http://www.hdrsoft.com/

YucaLight

Foreground exposure +3 on the meter

YucaMeter

Metered

YucaDark

Background exposure -3 on the meter

Processing: Caputre (7 Images) -> Import -> RAW Conversion to .tiff (applying NX2 landscape picture control) -> Photomatix (Exposure Fusion attenuated) -> NoiseWare -> Photoshop (contrast/saturation boost, sharpened) -> flickr

Tip: Even if the weather is nice, if you are planning on making some image near cactus, make sure you bring something other than your flip flops.

Less Elvis – HDR Photographers I Failed You!

Less Elvis, originally uploaded by LightAsMagic.

While attending the National Geographic Traveler photography workshop, I engaged in a conversation with Dan Westergren (Nat Geo Traveler senior photo editor) regarding HDR. He jokingly described it as the Velvet Elvis of photography. A compliment in some circles I’m sure.  He was open to the discussion and I learned quite a bit from him over the weekend.  During the photo review session I plotted against Dan and his ‘old school’ beliefs.  I knew Dan wasn’t going to be swayed into publishing HDR images in the next issue of Traveler, but I did think I would get the rest of the class on my side…….and maybe that would convince him.  The excitement grew as my straight images were being reviewed.  Soon, the class would witness the power of HDR and Dan would have to succumb to the will of the people!  Pow, it hit the screen like $#!+ hits the fan!!!  What was this monstrosity.  On the projector it looked nothing like it did the night before while I was processing it.  I knew I shouldn’t have helped my wife finish that lemon drop martini at dinner.  Halos, saturation, cartoony…it was all wrong.   I still think the class dug it.  Probably because it was so foreign, I mean dramatic. But Dan wasn’t going to have any of it.  Although my plan failed, Dan was still a good sport about the whole thing.  I reprocessed the image during lunch and re-presented it.  Although Dan admitted he was impressed with it I wouldn’t  get your hopes up, I doubt any HDR will be making its way into future issues of Traveler.  Unless of course, Bob has something to say about it!

This image is the reprocessed image.  I like it much better than the Velvet Elvis.

9 Images > NX2 (Raw conversion) > Photomatix 3.2 (Exposure Fusion) > Photoshop (lens flare correction, saturation bump, contrast bump, sharpen) > Blog

Camera: Nikon D300

Lens: Tokina 11-16

Filter: Nikon CPII

Tripod: Gitzo

Head: Markins Q3T

Room With A View

Room With A View, originally uploaded by LightAsMagic.

While preping for a 14er (14,000ft peak for those of you who don’t live in Colorado) I was trying to imagine what the view would be like and what gear I should bring. When climbing a 14er, gear and weight decisions take on new meaning. I had discussed this with my wife and she quickly reminded me that 14ers are just “boulder fields with panoramic views”. Very true.  I decided to take a very friendly summit friendly kit: a wide light lens (Tokina 11-16 2.8) and my GT1541T. I am glad I did. Not because of the summit, it was far too windy to shoot, but because of the abandoned mine along the way. It is the journey and not the destination, right? Heck of view these folks had.  If you are interested this is a five exposure (-2 through +2) HDR image taken directly from the Photomatix 3.2 output.

Interesting HDR tip: Becuase of the dynamic range of the exposure I had to spot meter for the sky, then manually set the exposure for about 3ish stops below the spot metered exposure. This allowed me to capture the inside of the cabin. I knew I could brighten the sky in post-production if necessary. Apereture priority ended up with exposures that were still underexposing the interior walls. Lesson learned. In the future, for efficencey sake, it might just be easier to use exposure compensation. Either way I was happy with the hike and the image. 

The 14er in question is Mount Sherman.

Weather Report

Weather Report, originally uploaded by LightAsMagic.

I went out shooting in the Pawnee Grasslands looking for a windmill, an old shed, or a stagecoach. Interesteingly I stumbled upon this abandonded weather radar station. I decided to try my had at an HDR image. Once I processed it I was hooked. I think hooked might be an understatement. The analogy might not hold up, but in my book HDR is to photogrpahy what the Shamwow is to wet cleanup.

To learn more about HDR I would start with Trey Ratcliffs travel blog: http://www.stuckincustoms.com.